Every piece of Muusa furniture has a soul from well-chosen materials and traditional handicrafts. From first-class manually polished Indonesian ebony, Italian leathers to tailor-made porcelains and stones, with its focus on making of each details of them express the fusion of ultimate perfection and overall noble temperament, Muusa aims to create modern cultural collections that interpret quality of life.
Founded in 2013, Muusa has been trying to combine the Oriental cultural spirit with modern urban aesthetics; based on the stage attribute in the concept of a greater space, Muusa pays more attention to the interpretation of human-thing, guest-host, tradition-modernity, East-West, and culture-life relations, and applies simplification techniques by cutting the complicated and superfluities to reflect high requirements for life. Its design philosophy follows the essence of traditional Oriental furniture to create tasteful, individualized and harmonious products for a unique experience of “harmony without uniformity”. In addition, it draws on home design concepts of the Tang, Ming and Qing dynasties to create layered spaces, changes the feudal thought of hierarchy and superiors and inferiors reflected in the traditional layout, and add new things to traditional home culture. It also draws on the essence of Western humanistic philosophy and design aesthetics to combine rationality with sensibility, and preciseness with romance, thereby converting the art attribute into value in the process of modern function realization.
Every piece of Muusa furniture has a soul from well-chosen materials and traditional handicrafts. From first-class manually polished Indonesian ebony, Italian leathers to tailor-made porcelains and stones, with its focus on making of each details of them express the fusion of ultimate perfection and overall noble temperament, Muusa aims to create modern cultural collections that interpret quality of life.
Founded in 2013, Muusa has been trying to combine the Oriental cultural spirit with modern urban aesthetics; based on the stage attribute in the concept of a greater space, Muusa pays more attention to the interpretation of human-thing, guest-host, tradition-modernity, East-West, and culture-life relations, and applies simplification techniques by cutting the complicated and superfluities to reflect high requirements for life. Its design philosophy follows the essence of traditional Oriental furniture to create tasteful, individualized and harmonious products for a unique experience of “harmony without uniformity”. In addition, it draws on home design concepts of the Tang, Ming and Qing dynasties to create layered spaces, changes the feudal thought of hierarchy and superiors and inferiors reflected in the traditional layout, and add new things to traditional home culture. It also draws on the essence of Western humanistic philosophy and design aesthetics to combine rationality with sensibility, and preciseness with romance, thereby converting the art attribute into value in the process of modern function realization.
